Addressing graduates from the university’s School of Sport and Service Management and Hastings Campus, Clottey explained how his formative years growing up in Accra, Ghana, helped him become the socially-conscious artist he is today.
In his Afrogallonism project, Clottey transforms discarded plastic jerry cans into vibrant large-scale sculptures and installations, as well as hosting live performances. His exhibition ‘Current Affairs’, co-sponsored by the university, was a highlight of this year’s 쿪ֱֳ Festival. Clottey has been widely praised for the sustainable nature of his work at a time of environmental crisis.
The artist said he inherited his creative gene from his father, a painter, and revealed how the death of his mother “at a very important part” of his life forced him to practice the virtues of hope and belief.
Clottey’s partnership with the university’s Responsible Futures programme has seen him put on a workshop and presentation for students and staff.
Reflecting on his early steps in art, Clottey said: “Having worked in my father’s studio, I already knew how to draw and paint, but I didn’t know if this was going to be my career or just a hobby.”